he's a fruitcake

by now even his supporters are well-aware that peter molyneux is stark raving mad. but nevertheless, he does hit upon a [dare i say it?] brilliant notion every once in a while.

what exactly fable 2 is remains to bee seen, as mr. molyneux seems determined to avoid house-calls from the ghosts of fable past, but a hint at a time [such as after the 15-mark on the above video], he's showing us why we can hate him all we want, but we will play his games.

there's a perceptible distinction between dramatic games and emotional games, and i agree that it is the lovable characters, not the sensational, that win out in the end.

and, let's face it, when it comes to universal appeal, human characters don't even come close.

sige ingat.ü 
posted by stani at 12:34 PM
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when it rains, it pours

ross: pero dapat may chicks
tatang: noooooooooooooooooooooooooooooooo...

chudor: ohh misa campo
chudor: she's hot
Yahoo! Messenger: chudor has left the conference.

sige ingat.ü 
posted by stani at 9:52 AM
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the beholder's eye

She was beautiful like the flowers consumed by fire, her love was sweet that made me suffer from diabetes, she was warm I almost felt the heat of her caress now. Her lips were smooth and her tongue was very luscious like the meat of a beef.

- Arnel Salgado, The Fireless Inferno

evidently, some people have very different opinions on how romance is best expressed.

sige ingat.ü 
posted by stani at 11:27 AM
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dangers. context. you know the rest

karl: bading naman ako ah

sige ingat.ü 
posted by stani at 11:54 AM
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oh my

sige ingat.ü 
posted by stani at 1:51 AM
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the absolute power

it took a year, a job, two application sheets, and 30 follow-up calls, but you know what?



it's all worth it.

sige ingat.ü 
posted by stani at 3:54 AM
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the dangers of taking even more things out of context

jendee: wala ata akong dodo

sige ingat.ü 
posted by stani at 1:09 PM
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